Television

Federal Communications Commission said on Friday that it would postpone until early 2016 a planned auction of airwaves now used by broadcast television stations for use by mobile phone companies. The commission attributed the delay in part to a pending lawsuit filed by the National Association of Broadcasters, a trade group for the television industry, and to the need for more time to recruit television stations to participate. The auction, previously set to begin in mid-2015, is likely to be the largest and most complicated sale of airwaves that the commission has undertaken. It involves a multistep process in which some broadcasters agree to give up their airwaves or move their signals to new spots on the electromagnetic spectrum in exchange for a portion of the proceeds of their sale. Broadcast stations that do not participate in the auction could have their spot on the broadcast spectrum moved anyway, to help create contiguous blocks of airwaves for sale to mobile phone companies. A cellular tower in Oakland, Calif. Federal regulators said more time was needed to deal with a lawsuit and to recruit bidders. A cellular tower in Oakland, Calif. Federal regulators said more time was needed to deal with a lawsuit and to recruit bidders. Most broadcast stations affiliated with the four major networks are not expected to participate in the auction, and the trade association said in its lawsuit challenging the sale that the initial rules laid out by the commission would cause some stations to lose some of their coverage area and viewers. Last month, the United States Court of Appeals for the District of Columbia Circuit, where the case was filed, set out a schedule that calls for final briefs in late January. That means a decision in the case would not be expected until mid-2015, about the time Tom Wheeler, the F. C. C. chairman, had set for the auction to start. Proceeds from the auction are expected to contribute heavily to the cost of a planned $7 billion nationwide public safety communications network. Gary Epstein, the chairman of the commission’s Incentive Auction Task Force, said the agency was confident that it would prevail in court. But, he added, “given the reality of that schedule, the complexity of designing and implementing the auction, and the need for all auction participants to have certainty well in advance of the auction, we now anticipate accepting applications for the auction in the fall of 2015 and starting the auction in early 2016. “Dennis Wharton, executive vice president for communications of the broadcasters’ association, said in a statement: “We reject suggestions that our narrowly focused lawsuit is cause for delay.” As N. A. B. has said repeatedly, it is more important to get the auction done right than right now,”Mr. Wharton added. “Given its complexity, there is good reason Congress gave the F. C. C. 10 years to complete the proceeding. “Mr. Epstein wrote that the commission would vote by the end of the year to release for public comment a proposal of the auction’s methodologies. The agency also will vote “in the coming weeks”to release for comment a proposal to set aside one vacant television channel in each market for use by unlicensed devices. In a separate move, the F. C. C. on Friday said it would fine two companies a combined $10 million for leaving personal data unprotected. The companies, Terracom and YourTel America, collected the data from consumers to determine their eligibility for a program that offers subsidized cellphone service to low-income Americans. The F. C. C. said the companies stored the Social Security numbers, names, addresses, driver’s license data and other information of customers on unprotected Internet servers “that anyone in the world could access. “Lax security practices affected up to 300,000 customers of the low-income phone program, known as Lifeline, the commission said, even though the companies claimed to have “technology and security features”to safeguard the privacy of consumers. The action is the first data security case for the commission and the largest privacy action in its history. In a statement, Terracom said it had “worked with our vendors to increase data security technology and procedures and completed multiple security audits to prevent further breaches from taking place. “Source link

Former Navy SEAL who claims to have shot and killed Osama bin Laden has been identified by CNN ahead of Fox News where he is expected to discuss his role in the raid.

Robert O’Neill, a SEAL turned public speaker, has been named by the UK’s Daily Mail,The Washington Post and the special operations community blog SOFrep.com as the member of SEAL Team 6 who fired the forehead shot that killed bin Laden in a May 2011 raid on the 9/11 mastermind ‘s compound in Abbottabad, Pakistan.

O’Neill is the second SEAL to speak out about the raid. The first was Matt Bissonette, who 60 Minutes called Mark Owen in two interviews including a follow-up last month. Cooper talked with former Navy SEAL Jonathan Gilliam, who says O’Neill could, and should be charged by the military for speaking out. It’s time to start setting an example. The guy’s my SEAL brother, but he’s gone far beyond where I can support my brother.

In 2012, after 16 years of service, and 4 years shy of retirement, O’Neill left the Navy. He is now a public speaker employed by Leading Authorities, a speakers bureau.

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Somewhat like Shimmer, Saturday Night Live’s mysterious concoction that was both a floor wax and a dessert topping, a production called The Noir Series that runs this weekend in Los Angeles manages to be both a stage play and live Internet TV. You can buy “studio audience tickets“to see the show in person at the Schkapf Theatre or purchase online viewing tickets. The producers-who describe the show as a 90 minute omnibus comprised of “four plays inspired by the dark and pulpy noir of Hollywood’s past, filmed and streamed with an eye towards Hollywood’s future”- will be happy either way. But will Actors’ Equity, the union that governs live theatre? Produced under the banner of theatre company Heretick Theatre Lab, The Noir Series seems to challenge Equity’s long-held determination to disallow recording or streaming of plays in order to preserve the primacy of the live performance. Seemingly, the solution adopted by Heretick’s artistic director Jennifer Cotteleer is simple: the production went with a SAG-AFTRA new media contract rather than an Equity agreement, even though Cotteleer acknowledged that the production “is a play. “She and her diverse fellow creators-who include screenwriter Stephen McFeely (Captain America, Thor and the upcoming ABC series Agent Carter), directors John Hindman and Nancy Keystone, comic book writer Ed Brubaker and theatre troupe The Burglars of Hamm-have high hopes for the show, which has already sold out its Friday performance, the first of four. But the SAG-AFTRA solution hasn’t always worked as well in New York. Kathryn Jones, founder and CEO of Virtual Arts TV, pioneered live streaming of stage plays in 2010 with an AFTRA-contracted production called Better Left Unsaid, but found that some things were indeed better left unsaid: weeks after the show closed, the actors received letters from Equity warning of possible disciplinary charges for participating in an unauthorized play, Jones told The Hollywood Reporter. “There’s tremendous resistance”at Equity towards live streaming, said Jones, who financed the play through Kickstarter. Ultimately, Equity backed off, but in the years since, Jones said, the union has repeatedly vetoed live streaming even where AFTRA or SAG-AFTRA has approved: the latter two unions have offered contracts, according to Jones, only to subsequently withdraw their permission after contacting Equity for its consent. Yet on other occasions, Jones said, Equity has granted permission for live streaming. She declined to speculate on the reason for the union’s varying responses. “I’m not sure they know where they stand,”Jones remarked. Equity did not respond to several requests for comment and a SAG-AFTRA spokesperson said that its new media personnel were unavailable due to ongoing negotiations on a key television contract. It’s not just small producers who are experimenting with live streaming. Broadway too has taken notice, with companies such as BroadwayHD and Broadway Near You bringing such fare as the  Orlando Bloom Romeo and Juliet and Driving Miss Daisy to movie theaters screens around the world-but not on the Internet-much as the Metropolitan Opera has been making its productions available to cinema audiences. Meanwhile, the Broadway show Memphis was filmed and shown three months later in cinemas under the moniker Memphis: Direct from Broadway, then made available on Netflix. “We would prefer theatre goers see our shows in person,”said Charlotte St. Martin, executive director of the Broadway League, the organization that represents Broadway theatre owners and producers. That said, she added, the organization is “supportive of live streaming. “If you can’t have live, this is a wonderful alternative,”said St. Martin. “It’s not mainstream yet, (but) there are four or five companies that have put their big toe in the water. “St. Martin, whose organization represents management in its negotiations with Equity, declined to discuss the union’s position on streaming. Internationally, London’s National Theatre‘s National Theatre Live initiative streams live and recorded theatre to cinemas around the world. Perhaps easing matters there, a single union, also called Equity, represents actors in both live stage and motion picture / television work. Elsewhere, small producers are experimenting with plays staged in multiple locations connected via Skype or Google Hangouts. Back in Los Angeles, a Wednesday night rehearsal attended by THR was a beehive of activity. Molls, femmes fatale, hard-bitten shamuses, a tough guy and a pretty boy were among the noir tropes who put on a fun show even with the inevitable pauses as lighting, sound and video cues were worked out. That much is typical theatre craft, but the presence of videographers and Cotteleer’s admonition to her cast that they not play to the cameras were a reminder that something unusual was indeed afoot. Meanwhile, in a room off the lobby, the heart of the streaming operation was a video village operated by Adrenaline Garage, a Colorado-based company whose usual work is live streaming of sports events. Also key to the Internet component is streaming provider DaCast. “Noir is about desperate characters in desperate situations trying to do that one last thing that is going to put them over the top and fix their problems, and inevitably-it doesn’t,”McFeeley said. But this production is more about disparate, rather than desperate, creators and technologists coming together, and barring any union hitches they hope to reboot live theatre in a uniquely Internet-based way. Their experiment will be on view this weekend. Bookmark The Hollywood Reporter’s Labor Page for the most in-depth coverage of entertainment unions and guilds. Email: jh@jhandel.comTwitter: @jhandelSource link

Holidays are about to become that much more special for Carrie Underwood! The pregnant American Idol superstar took to the stage once again Friday night for a taped performance in honor of the 2014 CMA Country Christmas special. Wearing another gorgeous loose-fitting blue dress with silver accents at the top, Underwood successfully hid her growing baby bump as she sang a holiday classic for the show scheduled to air this December on ABC. It was a beautiful end to a jam-packed week for Mrs. Mike Fisher. Just a few days earlier, the singer rocked 10-yes 10-different looks while hosting the 2014 CMA Awards. When not changing into another outfit, the country darling managed to crack jokes with co-host Brad Paisley, perform center stage, and reveal her baby’s gender. Oh, didn’t you hear?! Underwood is having a handsome boy next spring!As she gears up for her special delivery after the holiday rush, the 31-year-old is making the most of her free time by releasing new music. Soon after the CMA Awards, Underwood shared a breathtaking new music video for her single, “Something in the Water. “Can’t nobody wipe this smile off my face / Got joy in my heart, angels on my side / Thank God almighty, I saw the light,” she sings in the track that showcases just how happy she is. Pretty soon, however, Underwood will be forced to exchange microphones for a few smelly diaper bags. But if you ask any famous parents in Hollywood, it will be totally worth it!”It’s sort of hard to give people advice,” Nicole Kidman and Keith Urban told E! News when asked about Underwood’s baby. “Reach out if you need help but it’s an incredible, incredible journey.” Source link

MC’s The Walking Dead turned its lens on one of its newest cast members Sunday, offering up a nearly straight-from-the-comic adaptation of Abraham Ford’s (Michael Cudlitz) backstory. As the former soldier marched on toward Washington, D. C., with his bus of followers, including Eugene (Josh McDermitt), Rosita (Christian Serratos), Tara (Alanna Masterson), Maggie (Lauren Cohan) and Glenn (Steven Yeun), flashbacks reveal how Abraham met the man who claimed to know a cure for the zombie apocalypse. As it is in the comic, Abraham left his family with a group of men, whom viewers are led to believe raped his wife. After watching the husband and father savagely kill their attackers, Abraham’s wife leaves with his young son and daughter in tow. Worse: He discovers their bodies, savaged by walkers, and puts a gun in his mouth to end his life. But before he can, a helpless Eugene comes charging his way begging for help from the walkers who are hot on his trail. Abraham comes to his rescue and, as a way of avoiding his feelings about his now deceased family, believes Eugene’s tall tale that he knew how to cure the outbreak. See more‘The Walking Dead’s’ Most Shocking DeathsBack in the present day, Eugene – faced with the task of making their way through a massive wall of walkers in a bid to get to D. C. – instead opts to reveal something nearly everyone has believed by now: That he’s full of crap and lied about knowing a cure so that total strangers would protect him. The reveal puts everyone back to square one and leaves Abraham to force the stark reality he’d been avoiding for years. The Hollywood Reporter caught up with Cudlitz to break down Abraham’s backstory, what Eugene’s lie means and why the Tennessee Top Hat freak enjoys watching the soldier and girlfriend Rosita’s, ahem, personal time. (Click here for our interview with McDermitt all about Eugene.)Abraham’s backstory has been revealed and it’s strikingly close to the comics. How much of his history did you know when you signed on? When I signed on, nothing. I didn’t know who I was auditioning for. When I finally knew who it was, I asked Scott M. Gimple if I should I read the comics since I knew the show doesn’t always stick with them. I asked if it would be helpful or a hindrance for me to read the comics and he said to absolutely go back and read them. He didn’t know if we’d match it exactly by the time we got to it but Abraham’s emotional weight of the story and all that emotion brings with it will be connected with it. As it got closer, it was pretty darn dead on. There’s a couple elements missing but they’re there in evidence but not spelled out as clearly as they are in the comics when Abraham tells Rick what happened in the past. He’s very detailed when he tells the story, and we were less on the nose and a bit more vague about it. Abraham’s wife and two children left after he brutally killed the men. In the comics, it’s clear that his wife and daughter were raped and young son forced to watch. But it’s not as clear on the show. Is that still the case?It was vague for a reason. In the comics, his wife and daughter are raped and son is made to watch and when Abraham finally finds them, the son and mother were eaten so badly that there was nothing left to come back and he wound up having to shoot his daughter in the face. I don’t think that’s necessary for us to see because we get it – he lost everybody. It’s definitely hinted that the woman has been beaten, is bruised and her clothes are torn. It’s there if you look for it. What we do spell out very clearly is that he was killing these men in defense of his family, which is the core of that story. What ultimately happens, as in the comics, he becomes worse than those people in eyes of his family. He went full soldier mode and they’d never seen him as a soldier; only as a father, husband, coach and active in the community but never as a soldier. See more ‘Walking Dead’ Comes to Life: From Comics to the Small ScreenNow that Eugene’s secret is out, do you think we’ll see Abraham deal with any of the emotions from his personal life? At this point, he’s got a tremendous amount to process. Last we left him, when he was dealing with these issues, he almost blew his brains out. At the end of the episode, he’s back to the literal end of the flashback to where he meets Eugene and Eugene pulls him away less than moments from taking his own life. We’re right back at that point again. We’ll have to see what he has to live for now – if anything – and what can pull him forward – if anything. We also learned that Eugene effectively saved Abraham from suicide after he found his family’s walker-attacked bodies. How much of their mission to D. C. was about repaying that debut and how much was Abraham really avoiding his grim reality?  They’re hand in hand. It was a lot easier to bury it in the mission, that’s why the mission was so important. The mission is purpose, the mission is a reason to live and to not think about what happened. It completely serves the purpose of burying that memory. But it resurfaces. It’s not always active moments, there are times when he’s left alone with his thoughts and you see that. The metaphor of the blood on his hands and the old wound opening, it’s all over it. Eugene finally reveals that he doesn’t have a cure for the outbreak, which sends Abraham into a spiral. What’s his thought when he falls to his knees?It’s just total loss. Everything hits him all at once and everything that he’s not able to process fully when he’s sitting with his family, it’s all of that loss, it’s all of Eugene’s lies. Eugene talks about the people who died during this mission and all that Abraham can think about is all the people he’s killed for this mission. People killed over stupid shit, killed because they might have gotten in the way and had to be eliminated because they posed threat to the mission. It’s so loaded: everything he’s done for the last two years has been a complete lie. If he wasn’t stopped, he would have killed Eugene. And Rosita does a great job of talking to him in a completely binary level of soldier with her hand on the gun. That cuts through everything and he has to stop. It brings Abraham back to a more level plane than that rage. And Eugene says all this stuff – including that he’s smarter than Abraham – it’s a big f- you. Because in a lot of ways, Eugene is, but in a lot of ways he isn’t because Abraham lets it all go and chose to not see the signs because he chose to believe in something instead. It’s a huge commentary on society, it’s how we operate. We buy into something 100 percent and if we don’t, you may see the flaws in it and then everything starts to unravel. See more ‘Walking Dead’ Season 5 Premiere: From the Woods to the Red CarpetRosita and Abraham, as in the comics, are a couple. Does he love her at this point? She seems to be the only one who can stand up to him right now. It serves two purposes. I think he loves her but it’s also a relationship of convenience for both of them. It’s war time, and every day could be your last. You don’t know what happens during war time with soldiers overseas. You’re f-ing and fighting, it’s your life and you want to be alive. There would be a lot more of this going on in the world if it were a real world. There would be more Shane (Jon Bernthal) and Andrea (Laurie Holden) knocking it out in the car in the middle of the street like they did in season two. That’s the kind of stuff that would be going on. There would be love-making, I’m sure, but there would be a whole lot of f-ing. (Laughing.)Why does Abraham let Eugene watch his intimate encounters with Rosita?He’s like, “Whatever.” It’s totally an alpha male thing as well. I can’t personally identify with that but it’s a bit of a fratboy thing: “F- it, you want to watch me f-? Watch me f-!” I don’t think Abraham cares who is watching. He tells Glenn, “I need some ass!” He could have said he was going to get some sleep. He just doesn’t care. Everything about him is worn on his sleeve. Everything is open. If he’s upset, he tells you; if he’s upset with you, he tells you; he’s going to go f- Rosita, he tells you. There’s no agenda; everything was taken from him and he has nothing to hide from anybody. Where does their group go from here considering there’s a massive wall of walkers directly ahead and the church is 15 miles back. There’s no more mission. What is turning around? There is no turning around because there’s no longer a forward. This is going to take a long time for Abraham to process. Hopefully he comes out of it because the last time he had something like this dumped on him, he almost took his own life. Now we’ll see if there really is anything left to live for and if the things that he has come across in his life since have made an impact on him. We’ll see what he finds as valuable or worth in. What kind of emotional impact will Eugene’s confession have on Abraham? Could he pull back on his leadership role considering how much blood he has on his hands? Possibly. That would make anybody doubt everything. I imagine this is going to take him a while to recover from. There’s a lot of healing, if it’s even possible. He’s very damaged at this point. What did you think of Abraham’s backstory? Hit the comments below with your thoughts. Click here to read our postmortem with McDermitt (Eugene). Email: Lesley. Goldberg@THR.comTwitter: @Snoodit Source link

Benzino and fiancee Althea Eaton think “Love & Hip Hop: Atlanta” should air on Animal Planet…because they think producers are making them scape goats. Production sources tell us the couple was given the boot Wednesday AM…with no explanation.

Benzino says it’s obvious he and Althea are being blamed for the fight between them and castmates Joseline Hernandez and Stevie J…a brawl that proved irresistible for other cast members. TMZ broke the story…Althea sued Joseline, claiming  she started the fight while she was high on crack. Although Althea got her ass whooped…producers sided with Joseline, even though other castmates felt Joseline should have gotten the boot. VH1 wouldn’t comment, but it’s pretty obvious. Joseline’s better TV, and that trumps everything.

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Thursdays are getting to be too much for us, you guys, and not just because they’re so darn close to the weekend. We can barely handle Scandal, The Vampire Diaries, and How to Get Away with Murder, let alone the three million other shows that are also on. We’re losing our minds. It’s all too good. Now if you’ll excuse us, we’ve got a lot of emotions to unload on you. Join us for rants and raves!

RAVE: Scandal: Jake is free? Maybe? At least that’s what it looked like tonight, after Olivia went all Command all over everything. After a visit to Tom in jail mostly just got her a very Rowanesque speech about how she’s kind of like Helen of Troy, and a visit with her father had him threatening her, Olivia paid a guard to stab Tom and say it was courtesy of Command. Tom then confessed that Rowan had ordered the death of Fitz’s son, and we sort of wish there had been a beautiful chorus of Hallelujahs as Jake was seemingly released into a room with Olivia’and Fitz. Now they’re going after Rowan and we cannot wait!RANT? RAVE? HELP!:

Scandal: Our Jake-loving hearts (sorry not sorry) are confused by Fitz’s slightly creepy but also kind of hot phone conversation with Olivia, in which he told her all the very sexy things he would do to her, so long as there was actually still hope for their relationship. He’s really running with this “hope” thing, and we are beginning to find it very annoying.

RANT: Scandal: We wanted Abby to get up on her podium and tell the world how her ex and a potential future senator, played by Michael Trucco, beat her nearly to death. We like Leo and think that he and Abby are cute together, but we wanted more justice to be served!

RAVE: Scandal: Mellie declared that she is officially back, and we are officially thrilled. Fitz is getting out of control and he needs someone who won’t take any of his crap.

RAVE: Scandal: Huck reunited with his son! He’s been playing video games with him online, but tonight, his son tracked him down using his IP address (like father like son) and showed up to ask him why he had left his family. This show, man. So many emotions! 

RANT: The Vampire Diaries: If you thought it was going to be easy to get Delena back, you would be wrong, and you clearly are new to this show. After refusing to see the newly returned Damon, Elena finally decided to ask Alaric to de-compel her. Of course, first, Alaric had to rescue Damon and Enzo from Tripp’s vamp-killer van, but he ended up in a car accident that threw him across the Mystic Falls boundary. Jo-who was following him, and is also a witch, btw-showed up just in time to save him, after the magic had faded away. Yep-Alaric’s a human again, and Elena is stuck with her new fake memories.    

RAVE: The Vampire Diaries: We were so Team Damon tonight it wasn’t even funny, from his voicemail to Bonnie to the way he was just so sure that as soon as he and Elena locked eyes, she would be in love with him again. It was too much, and yet not enough at the same time. Oddly, we were almost made more emotional by the voicemail, especially when he was mad that her answering machine wasn’t a satisfactory sampling of her voice. “I might miss you a little bit,” he said. And we might be swooning a little bit.

RANT: The Vampire Diaries: Quit arguing about things, Caroline and Stefan! It’s hard to believe in the love we want you to have when you are constantly fighting and saying you don’t want to be friends anymore. Stop it!

RAVE: How To Get Away With Murder: Lila was pregnant! OMG! After Griffin’s defense attorney asked for Lila’s body to be exhumed based on some potential fingernail markings, it was discovered that the sorority girl was with definitely expecting when she died. If the baby isn’t Sam’s, we’ll be shocked.

RANT: How to Get Away with Murder: As much as we’re pretty sure Rebecca is innocent, it is definitely not the best idea for Wes to choose right now to start sleeping with her. Also how gross yet beautifully edited was that sex scene intercut with the autopsy? It felt very “this will make really creepy sense later,” but we sure hope that it doesn’t mean anything terrible for Wes.

RANT: How to Get Away with Murder: In the flash-forward (or in present day?), Wes was washing blood off of Rebecca and she was telling him how she hit Sam on the head with the trophy, but she’s still not the murderer, and we’re still not sure if we like or trust her.

Fox News Channel was the most-watched network – on broadcast and on cable – during coverage of the midterm elections. Fox News beat CNN and MSNBC in both total viewers and the A25-54 demo, combined during primetime hours.

The cable networks were all down compared to the 2010 Midterm elections: Fox News was down -9% in viewers and down -31% in the demo; CNN was down -13% in viewers and down -12% in the demo; and MSNBC was also down -13% in viewers and down -22% in the demo. At 10pmET, when the broadcast networks aired special reports, Fox News averaged 6. 6 million viewers, topping No. 2.

CBS which averaged 5. 4 million viewers. This marks the first time during election coverage that Fox News topped all the broadcast networks in the A25-54 demo.

• 10pmET: (Total Viewers | A25-54 demo)

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Before they ruled the land, Hollywood’s power players were once up-and-comers – and The Hollywood Reporter’s Next Gen list recognized many of them when they were talents on the rise. As THR debuts its 2014 Next Gen list honoring 35 execs under 35, let’s take a look back at some of the recognizable names who’ve made the list in year’s past. Read more Next Gen 2014: Hollywood’s New ClassThe fist class, in 1994, boasted notables such as WME co-CEO Ari Emanuel, 20th Century Fox co-chairman Stacey Snider, Paramount vice chairman Rob Moore and CAA’s Kevin Huvane, Bryan Lourd and Richard Lovett. Also on that inaugural list were producers Michael De Luca, Nina Jacobson andGavin Polone. See more Next Gen Class of 2014Showtime president David Nevins was inducted into the 1996 Next Gen class alongside soon-to-be TBS and TNT head Kevin Reilly, while 1998’s class included producers Scott Stuber and Sue Naegle. Other heavyweights who’ve been honored include Universal Pictures chairman Donna Langley (2002), Fox Networks Group chairman and CEO Peter Rice (’99), chairman of Universal Filmed Entertainment Group Jeff Shell (’98), producers Eric Tannenbaum (’95), Todd Lieberman (2001) and many other power players. Click here for this year’s full list of the top 35 executives 35 and under, and see exclusive photos of them here. Source link

Sharyl Attkisson alleges in Stonewalled that both her personal and work computers were hacked over a lengthy period of time by someone in the government.

In an interview with Bill O’Reilly on Fox News Channel’s “O’Reilly Factor” Monday night, former CBS News correspondent Sharyl Attkisson said she believes she will be able to identify the people–or government agency–that hacked into her computer. “We’re still aggressively pursuing this.”

Attkisson said her team, including sources, computer experts, and lawyers, have been able to identify the kind of software used to gain access to her computer. “They said the proprietary software they found in my computer was a type that’s used by either the FBI, CIA, DIA or NSA.”

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